Sunday, 24 January 2021

A Brighter February with Eric Ravilious!

Greetings! With everything being so grim at the moment I thought I would put together a short series of lectures on Eric Ravilious. These will take the form of three live webinars, which will then be available as recordings to ticket holders who can't make the actual event. 

I gave my first lecture on Ravilious in 2008 to coincide with the publication of  The Story of High Street (Mainstone Press). Since then I have written the four books in the Ravilious in Pictures trilogy (yes, really), curated the 2015 Ravilious exhibition at Dulwich Picture Gallery and lectured on this fascinating artist to audiences across the country. I love the fact that his watercolours and designs are both enjoyable and serious, light-hearted yet powerful, dream-like but rooted in reality.


Eric Ravilious, Waterwheel, watercolour, 1934

First up, on February 9, is Eric Ravilious: Art and Life - a colourful introduction to the life and work of the celebrated artist and designer:

Eric Ravilious was only 39 when he died on active service as a war artist in 1942, yet he had already achieved amazing things. A brilliant wood engraver and designer, he is best known today for his haunting watercolours in which lighthouses, white horses, empty rooms and downland paths become marvels. This entertaining illustrated talk illuminates the life and work of a playful, enigmatic artist. 

Eric Ravilious, Letter Maker from 'High Street', lithograph, 1938

On February 16 we turn our attention to Eric Ravilious: Design - a lively survey of a scinitillating career, exploring wood engravings, book illustrations and designs for Wedgwood:

During his short life Eric Ravilious (1903-42) was acknowledged as a brilliant wood engraver, lithographer and creator of ceramic designs for Wedgwood. This lecture follows the trajectory of a sparkling career, offering insights into his influences and technique while celebrating his greatest achievements. Look out for familiar favourites, from the wood engraving used on the cover of ‘Wisden’ to the lithographs featured in ‘High Street’, his 1938 book of shops, and the Alphabet design Ravilious created for Wedgwood.


Eric Ravilious, Newt Pond, watercolour, 1932
The third and last lecture on February 23 focuses on Eric Ravilious: Watercolour - exploring the work of an increasingly popular artist, taking a closer look at familiar favourites and discovering hidden treasures:

Over the past decade Eric Ravilious (1903-42) has become recognised as one of the finest artists of his generation, yet he remains an elusive figure who made little if any public comment on his work. Based on years of research, this lecture explores the artists's achievements in depth, looking closely at some famous favourites and revealing hidden treasures. Whether you're a die-hard fan or have recently discovered Ravilious, there's plenty to enjoy.


Monday, 4 January 2021

My Emily Sutton interview for Uppercase

UPPERCASE 48 from uppercasemag on Vimeo.

A little while ago I had the great pleasure of interviewing Emily Sutton about the series of Alphabet prints she has been making with Dan Bugg of Penfold Press over the past decade. I'm not sure how Emily manages to work as hard as she does while still retaining her sense of humour and joie de vivre, but every one of the prints - from A is for Accordian to T is for Tree - fizzes with life. 

Emily Sutton, A is for Alphabet (Penfold Press)

‘I’m someone that always needs to be doing,’ she told me, ‘and I feel my most peaceful when absorbed in the creative process. I hope this comes across in my work… '

The video above shows the whole of Uppercase 48. As ever it's a visual treat, but if you want a sneak preview of my article, it starts about 2.06. 

You can find out more about the magazine and where to buy it here


Lower Wings of Tyger Moth