 |
| Eric Ravilious, Hurricanes in Flight, 1942 (DACS/Artist's Estate) |
On 2nd September 1942 Eric Ravilious disappeared, along with four British airmen, when their Hudson aircraft failed to return from an air-sea rescue mission off the coast of Iceland. He had only just arrived at RAF Kaldadarnes, whence he had been posted at his own request and with the blessing of Kenneth Clark, head of the War Artists' Advisory Committee, who admired the work he had done two years earlier off the Norwegian coast. One can only imagine that he volunteered to join the air-sea rescue flight in the hope of capturing the moment of rescue.
This Sunday, to commemorate the 70th anniversary of the artist's disappearance, Alan Powers and I will each be giving
an illustrated talk at the Birley Centre in Eastbourne, for the Friends of the Towner Art Gallery. I will be exploring the life and work of Ravilious the watercolourist, looking in depth at a number of his Sussex pictures and endeavouring to give a flavour of the artist and his times. There's a tendency these days to see him as rather an austere character - a haunter of solitary Downland ways - and I hope to show him as someone much more human, brilliant but down to earth.
 |
| Ravilious in uniform |
Alan will then explore his work as a designer and, in particular, the reception of this work by his peers. What kind of reputation did Ravilious enjoy during his lifetime? How was his work perceived in the years following his disappearance? I'm greatly looking forward to hearing what Alan has to say on this subject, since I've always found it rather perplexing that an artist of such obvious talent could disappear so thoroughly from view for several decades.
I appreciate that fashions change, but I find it hard to believe that the people who enjoyed David Inshaw's work so much in the 1970s wouldn't have flocked to a Ravilious show. How could the painter of 'Train Landscape' and 'Chalk Paths', not to mention the designer of the Alphabet series, fall so far out of favour? All I can think of is that, with no monograph to encourage interest and only the occasional exhibition, people just didn't know about him. That they do now is thanks primarily to Anne Ullmann, Eric's daughter, who edited two major books on his work for the Fleece Press.
Anne was only a toddler when her father disappeared, but though she may have been too young to remember him properly, I wonder whether some recollection of his presence stayed with her. Few people remain alive who remember Eric Ravilious, however there have been in recent years several rather miraculous instances of lost artworks and artifacts returning from oblivion. Last year it was his dummy for a Puffin Picture Book on
White Horses, and a few years before that a pair of early watercolours that turned up among the effects of a collector in Surrey.
On Tuesday 4th September
a new find is up for auction at Sworders' auction house in Stanton Mountfitchet: five of the auto-lithographs made by Ravilious in 1940/41 and known nowadays as the Submarine Series. These were apparently found shoved down the side of a bed in north London, though whose bed it was and how they got there I have no idea. Sworders had great success with the White Horse Dummy, which was bought by the Museum of Wiltshire Life in Devizes, and they're hoping the new find will prove equally popular.
 |
| Eric Ravilious, Introductory Drawing (aka Submarine Dream), auto-lithograph, 1941 |
It is important to stress that these are not lithographs made by a printer from the artist's design but auto-lithographs. Ravilious himself prepared the plates for printing and then worked closely with the lithography team at WS Cowell's printing works in Ipswich. Unlike traditional prints, like etchings, which are sold in a numbered edition of very similar prints, these submarine lithographs are unnumbered and (mostly) unsigned, but the artist's presence can be felt strongly in the way they vary across the edition - in colour, tone and minor details. About fifty sets of ten were printed, one of which can be seen at the
Fry Art Gallery.
Whether these five prints end up in a public institution or in a private collection, it's wonderful that they have reappeared after so long, to be enjoyed as they should be. And don't despair if you're not planning to bid: the full Submarine Series plus a number of the artist's preparatory drawings will be published this autumn by the Mainstone Press in a beautiful new book,
'Ravilious: Submarine'.
