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| Tirzah Garwood, Erskine Returning at Dawn, 1950, oil on canvas |
I'm thrilled that my exhibition Tirzah Garwood: Beyond Ravilious will be opening at Dulwich Picture Gallery on 19 November. It's been a fascinating journey since I suggested the show to them three or so years ago, not least because so little study has been made of Garwood's work before. Her life is quite well-documented, thanks to her autobiography Long Live Great Bardfield (written 1942 and after, but only published recently) and to Margy Kinmonth's film Eric Ravilious: Drawn to War. But few outside a close circle of family, friends and fans know her wood engravings, marbled papers, model house constructions and paintings at all well.
So it's been exciting to bring together eighty-plus of these works (along with ten by her first husband, Eric Ravilious) and arrange them in what I hope is a helpful way. I've been wanting to do this for a long time, and in 2018 did bring together Garwood and Ravilious in my exhibition In Relation: Nine Couples who Transformed Modern British Art at RWA Bristol. That experience persuaded me to include a few pertinent wood engravings and watercolours by Ravilious in the first half of the Garwood show; the artists' contrasting approaches to similar motifs are fascinating, and the comparison sheds valuable light on Garwood's creative development.
You'll have an opportunity to get to know Tirzah Garwood a bit better before the exhibition because I'm giving an online lecture on 1 October, which will be recorded and made available to ticket holders for the rest of the month. If you follow the link you should find all the info you need.
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